Paul Beaver & Bernard L. Krause* ‎– The Nonesuch Guide To Electronic Music
Label:
Nonesuch ‎– HC-73018
Format:
2 × Vinyl, LP, Album
Country:
UK
Released:
1968
Genre:
Electronic
Style:
Modern Classical, Experimental
 
Tracklist
Position    Title/Credits    Duration
A1    I. Peace Three    3:08
II. Signal Generators
A. Sine Waveform
A2a    1. Slow-Motion Audible Example    0:05
A2b    2. Composition    0:50
A2c    3. Harmonic Synthesis    0:33
A2d    4. Non-Harmonic Synthesis    0:37
B. Sawtooth Waveform
A3a    1. Slow-Motion (Negative- And Positive-Going)    0:12
A3b    2. Composition    0:34
C. Rectangular Waveform
A4a    1. Slow-Motion Audible Example (1/8-1/2)    0:28
A4b    2. Composition (Using 1/8, 1/7, 1/3, 1/2)    0:35
D. Triangular Waveform
A5a    1. Slow-Motion Audible Example    0:05
A5b    2. Composition    0:20
-
A6    E. White Sound Composition    0:13
III. Control Generators
A7a    A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion    0:08
A7b    B. Sequential Voltage Sources. Composition    1:55
IV. Frequency Modulation
A. Keyboard Control
B1a    1. 12-Tone    0:32
B1b    2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)    0:40
B1c    3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)    0:31
B1d    4. Portamento    0:23
-
B2    B. Ribbon Control    0:30
C. Periodic
B3a    1. Vibrato Ⓢ (Speed Increases As Pitch rises)    0:28
B3b    2. Sine-Higher Frequency    0:27
B3c    3. Sawtooth-Swept    0:38
B3d    4. Rectangular 1/2-Swept L2    0:32
B3e    5. Triangular-Swept    0:31
D. Periodics Combined
B4a    1. 3 Square Waves At Different Frequencies    0:28
B4b    2. 3 Triangular Waves At Different Frequencies    0:37
B4c    4 Different Waveforms 2L 2N 2V 2S At Different Frequencies    0:46
-
B5    E. White Sound    0:12
F. Transient
B6a    1. Up An Octave, Back To Pitch    0:17
B6b    2. Up A 3rd, Back To Pitch    0:07
B6c    3. Down An Octave, Back To Pitch    0:09
B6d    4. Down A 3rd, Back To Pitch    0:13
V. Amplitude Modulation
C1    A. Keyboard    0:13
C2    B. Ribbon Controller    0:10
C. Periodic
C3a    1. Tremolo    0:25
C3b    2. Sine-Higher Frequencies (S Sweeping S)    0:47
C3c    3. Sawtooth (Negative- And Positive-Going Swept)    1:20
C3d    4. Rectangular-L2 Swept    0:28
C3e    5. Triangular-Swept    0:50
D. Periodics Combined
C4a    1. 4 Square    0:44
C4b    2. 3 Triangular    0:23
C4c    3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ    0:23
-
C5    E. White Sound    0:38
F. Transient
C6a    1. Slow    0:08
C6b    2. With Rising Pitch    0:15
C6c    3. ∧∧∧∧∧    0:14
VI. Ring Modulation
A. Sine Waves
C7a    1. Series Of Sub-Audible Constants    2:00
C7b    2. Tune In Parallel    0:40
C7c    3. Tuned In Opposite Direction    0:30
-
C8    B. Sawtooth    0:33
C9    C. Rectangular L2    0:39
VII. Filtering
D1    A. White Sound - With Fixed Filters Selected 3rd Octave    0:25
B. White-Sound-Tuned Filters
D2a    1. Broad    0:43
D2b    2. Sharp    0:25
-
D3    C. Low-Frequency Sawtooth-Tuning Through Harmonics    1:05
D4    D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics    0:50
D5    E. Swept With Ribbon Controller    0:40
F. Periodic
D6a    1. Sine-Timbre Vibrato Effect    0:25
D6b    2. Sine-Variable Rate And Depth    0:36
D6c    3. Sawtooth (Descending And Ascending)    0:50
D6d    4. Rectangular    
G. Transient (Sawtooth With Transient Controlled Filter)
D7a    1. -----------------    0:12
D7b    2. -----------------    0:10
D7c    3. ------------------    0:09
D7d    4. ------------------    0:08
VIII. Tape Delay
D8    A. Single Repeat    0:13
D9    B. Multiple Repeat    2:55
-
D10    IX. Peace Three (Recap)    3:08
Credits
Artwork – Gene Szafran
Design – William S. Harvey
Notes
UK 1968 2 LP set in laminated gatefold, with booklet.